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How did Django Reinhardt develop gypsy jazz guitar?
Django Reinhardt was Manouche Gypsy born in Belgium in 1910. He mainly lived around Paris. His musical career began as a banjo-guitar player working with accordion players in the "Bal-Musette" style. Beginning in the early 1930s, he developed a new style of jazz referred to as Gypsy Jazz, Hot Club style, Jazz Manouche, or Gypsy Swing. His primary collaborator was the violinist Stephane Grappelli. This style borrows from bal-musette style, Gypsy music in general, and American jazz of the era. This style became focused through Django’s Quintette du Hot Club de France. The basic group relied on guitar and violin lead, two rhythm guitars, and an upright bass. The group later incorporated other instruments, including orchestral instrumentation. Django was an amazing player with incredible creativity in composition and improvisation, working closely with Grappelli. The music exhibits great power, drive, and wonderful swing. Django remains an inspiration today, especially to handicapped players. His left had was burned in a fire at the age of 18, leaving it partially useless. Django recorded extensively and remains popular and greatly appreciated by jazz afficionados. While Django’s later work used electric guitar, today’s interest lies primarily with the earlier work and with later artists working in that tradition.
Gypsy jazz also incorporated mandolin. The mandolinist Dave Apollon played with Django in New York, although his style isn’ t quite Gypsy. Current artists include Evan Marshall and Radim Zenkl.
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